The other film nominated for Best Documentary is Ava DuVernay’s “13th,” an examination of the relationship between the 13th Amendment to the Constitution (the one that outlaws involuntary servitude, except when one is convicted of a crime) and the current system of mass incarceration. DuVernay is masterful in connecting stereotypes of Black people to the way the criminal justice system treats us, in weaving voices of luminaries like Angela Davis, Michelle Alexander, and Jelani Cobb with footage of police violence in Ferguson, Mo., and in using the voices of the formerly incarcerated to examine the system. When I saw “13th,” I sat next to a sister who sobbed her way through the last moments of the movie. “13th” leaves much to sob about, much to shake one’s head about, much to become enraged and energized about. The adage “follow the money” is never more pointed than it is when we look at issues of mass incarceration. Predatory capitalists are making profits on everything from maggot-infested meals served to telephone calls, and inmates and their families are the losers. This movie is a call to action.
There is much overlapping material in these two films, and I’d not advise anyone to see both films on the same day. Both films enrich us, and I’d be hard pressed to say which is better than the other. I hope that the Academy chooses one of the two, and will be most chagrined if they duck the choice and go with one of the other nominations. Even if neither film is chosen, I’m grateful that, at this moment in our history, we have films that remind us where we have been, what our challenges have been, and that the struggle, indeed, continues.
This year’s Academy Award nominations gives African Americans much to celebrate, and these nominations are also reminders that momentary visibility is not the same thing as structural change. How many African Americans can actually green-light a movie? How many compelling stories, like that depicted in Hidden Figures, will never be movies because of misperceptions about American audiences and racial material? When will African American history be viewed as American history and savored all year instead of only in February? Kudos to Raoul Peck and Ava DuVernay. Their films make the case that documentaries about African American life and history can reach broad audiences.
(Julianne Malveaux is an author and economist. For more info visit www.juliannemalveaux.com)
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